Category Archives: Arts + Culture

W+E4DM Web Feature Portfolio Part 4 – Junglist Out

This is part 4 of my Web Feature Portfolio for Writing and Editing for Digital Media. My articles are for ‘the Australian online magazine of culture and the popular arts’, The Enthusiast. My fourth and final article is a feature for their ‘TV’ category.

When casual fans tuned in to ABC’s Good Game several weeks ago, they may have been a little confused. The video game programme’s co-founder and co-host, Junglist (Jeremy Ray), was gone. In his place was a new host, Hex (Stephanie Bendixsen). It was only at the episode’s end that a quick farewell was given to Junglist, without further explanation. Casual fans may have been somewhat perturbed and puzzled by Junglist’s abrupt mid-season disappearance. But for the hardcore Good Game fans, an uproar had already begun.

Three days before the show aired, the decision was announced via an impersonal press release on the Good Game forums, followed by numerous posts back and forth, and finally a slightly more personal follow-up announcement nearly a week later. The lack of openness was galling enough, considering this is a show tagged as being “by gamers, for gamers”. But then Junglist commented on the forums that lies were circulating, only part of the story was being told, and in fact, his axing was forced on him from above, in a stated effort to gain “mass appeal” through a female presenter. Apparently, Junglist had also been contesting the lack of time allotted for reviewing games, or had ‘performance issues’, depending on who you listen to.

The story spread, with articles from gaming websites, mainstream commercial media and the ABC itself. Everyone had their side of the story (as far as possible within confidentiality agreements) and fans voiced their opinions at every opportunity. Amid the secrecy, speculation and internet chatter, the truth is elusive. Of course, a website was also created to redress the problem, or just provide a gathering place of support. In the end, the main issue is that ABC management made another bungle in their handling of this and they neglected their established fanbase. A familiar name shares the blame: Head of Arts and Entertainment, Amanda Duthie, the same woman dumped as Head of Comedy after she gave that Chaser sketch the green light.

Still, the ire has died down somewhat. Hex has been on for three weeks and after a bumpy start, it looks like there may be hope for the show yet. It’s just a shame they chose two ‘casual’ gamers, and removed the differing perspective of an established ‘hardcore’ gamer. This week marked the first time Hex and Bajo even had a significant disagreement about a game; even they felt it was noticeable enough to point out. Bajo and Hex would have been perfect for the upcoming children’s version of the programme, Good Game: SP on ABC3, with Junglist and Bajo remaining for the original and its subsequent increase in ‘mature’ content. Instead, we’ll have to wait and see how it all progresses, and whether ABC has learnt their lesson and will listen to the show’s fans, or at least talk openly with them, before any other drastic decisions are made.

Still, the show is worth watching. Whether you’re a casual gamer, semi-fanatic, or even a non-gamer, there’s plenty to keep you interested. Bajo and Hex even live-tweet the show as it airs every week on ABC2. For anyone who wants an idea of the show, a fond reminder of things past, or, just maybe, a sample of the madcap antics and nerdy enthusiasm that the show could reach again soon, there’s this lovingly made video montage: a tribute to Junglist and the show he helped to create.

Final words (for now)

Well, besides the pending Part 4 of my Web Portfolio, this is the last thing I’ll be putting up on this blog. But not forever.

Although it was undertaken as an assignment for my Writing and Editing for Digital Media class, I’ve taken a bit of a shine to working on this blog. Once I’ve finished my other assignments, had a bit of a break and received marks that confirm I indeed will qualify for graduation, I’ll be back. The focus of the blog might be a bit more casual, maybe a bit more serious, experimental, diverse, random, focused, who knows! I have a few ideas, but by the new year, I’ll be trying my hand at blogging here anew.

Before then, here’s a list of eight comments, thoughts, musings and things I’ve learned through the W+E4DM class and through my my blog so far:

• I’ve really enjoyed reading a diversity of blogging I otherwise might not have read, on topics from Facebook to fashion to kung fu. It’s great to read things outside my usual bubble of activity. If anyone in my class keeps blogging, I’ll keep reading and commenting.

• Blogging is pretty fun and addictive. I didn’t realise what a sad little thrill it would be to check out my blog stats thingo every day. People visited! People linked to my blog! People clicked my links! People searched for ‘peter bakowski blog’ and found mine instead! (it’s here btw). And best of all is when people read and comment and it seems like they’ve genuinely engaged with what I’ve written, even if it’s just in a small way. Or when your blog opens up opportunities to interact with people you’ve only briefly met, people you’d only heard of, or even total strangers. I didn’t think this blog would have an audience outside the class, let alone get visits from other acquaintances, established writers or a random dude from Copenhagen! All of this kind of stuff can be great motivation.

• The areas of writing, editing and publishing are changing alongside emerging digital media and technology. I’m keen to continue being involved in all of this, because there’s a lot of possibilities when everything is in a state of transition, uncertainty and experimentation. And I’m interested to see what role the internet and other related technologies will play in the ever-more unpredictable future of the planet and its inhabitants.

• Hardly anyone on the internet seems to pay much attention to copyright and I don’t really blame them. But I figure if you’re going to publish something for the entirety of the interwebs, you’d better make sure you can stand by all of it. And embrace Creative Commons and the like, because it’s awesome.

• I think my blog already needs a redesign. What do you think? The column layout seems a little off. And apparently white text on black is bad. I kind of like it, but maybe not as much as I used to.

• I think there will always be a need for people who can write well, think creatively, see things differently, speak the truth, or just make awesome things, be they stories, songs, visual art, games, articles, or software. The internet can help with all of this of course. But don’t forget that no matter how ubiquitous it seems the internet and all the latest newfangled iGadgets seem, there’s always the rest of the world. Instead of refreshing your Facebook feed again, try starting a garden, riding your bike, making something tangible and tactile with your hands, travelling somewhere new with some friends, attending a protest for something you believe in, practicing an instrument, or writing a letter to a friend. Yes, a real letter. They’re actually pretty special.

• A huge proportion of the world’s population do not see digital technology as an all-pervasive thing. There is a significant digital divide. The Internet has a long way to go before it’s a truly global and egalitarian network.

• Above all, remember: the internet is crazy.

CRAZY.

And that’s that! Thanks to everyone who has visited and read and commented and clicked my links and everything! Please do come back when I come back. Keep me on the good ol’ Google Reader! Until then, this is Duncan at DuncanWritingEditingPublishing clicking Publish and signing off.

Book Clubs

I’ve noticed a rising trend: online book clubs. My first real sight of it was Infinite Summer, a website dedicated to spending the breadth of the US summer reading the 1000-odd pages of Infinite Jest, by the late great David Foster Wallace. They followed that up with reading Bram Stoker’s Dracula, and that’s just wound up too. Anyone across the world who wants to join in can, reading a set amount of pages each day, supplemented by commentary, blogging, forum discussion and a huge, collaborative, social-media-fuelled exploration of the texts as everyone else reads along. The very idea of it pushes my booknerdy buttons.

Now there’s The Cork-Lined Room, a similar project but for reading Marcel Proust’s utterly enormous (3000 pages or so?) In Search of Lost Time. I think I’ll leave that one for a while, until I’ve finished War and Peace, Ulysses, Finnegan’s Wake and Moby Dick first. But heck, even one of the dudes from that hip young folk band Mumford and Sons has started a book club on the band’s website, with the first month dedicated to Cormac McCarthy’s All the Pretty Horses. Despite some people’s fears that the internet distracts people from reading books, the two mediums can coexist and, clearly, complement each other.

I was keen to undertake Infinite Summer (well, it would have been a winter for me), but it was far too tricky in the middle of Uni. I’m thinking I might attempt it this summer, or soon at least. Or maybe I’ll wait around for Infinite Summer’s next project, the also enormous 2666, by Roberto Bolaño.

But while I know I’ll be glad to finally have more freedom to plough into my own books soon, I’d also be keen to be part of a real life, face-to-face, genuine book club. I’m not sure how hard it would be to agree on a book or find enough people, but I’m keen. Anyone in Melbourne keen?

ACMI is Awesome

My girlfriend and I went to ACMI at Federation Square recently and their new Screen Worlds exhibition is not just fantastic, it’s free. And it’s a permanent exhibition, but I feel you should waste no time in checking in out.

The exhibition is all about the myriad forms the moving image takes, from cinema, to animation, to video games and beyond! Besides the free video games, some stunning displays, and futuristic-looking interactive exhibits, there’s a little thing called the Timeslice. You walk into a booth , press a button, and after a few beeps, a series of cameras films you from every angle as you throw yourself into action. Then, you watch the movie back: it’s like having your own Matrix bullet-time film shoot! And then you can have the video emailed to you! My girlfriend and I had several goes at it and this video was among the best. Yes, it does take a while for it to load, but I reckon it’s entirely worth it. It’s fun doing it too; I could go do this on a weekly basis, I’m not kidding.

Also, upstairs is ACMI’s other new thing, The Australian Mediatheque. There’s several viewing booths with comfy seats, high-quality headphones (though the cords were not quite long enough ) and wide-screen TVs. From their digital database you can choose to view a huge array of Australian movies, cartoons, TV episodes and more. Or, if you call ahead a few days, you can order in just about any piece of pre-2006 Australian moving image material, sourced from archives around the country. And again, for free! Mey friends and I watched the movies The Black Balloon and Home Song Stories, both recommended and enjoyed by us all!

And the cafe at ACMI sells off all of their delicious broken choc-tops for $1 each.

Yup, I’m a ACMI acolyte now.

‘Freemium’ and Free Verse

Thought I’d share two things I’ve read recently. Both demonstrate how there’s great possibilities for authors, poets and all varieties of writers and creatives to get their work out there, all using the free-flowing intertubes, while still making money.

 

First, via a post in Spike – the Meanjin blog, I’ve learnt that uber-nerd and Boing Boing co-editor Cory Doctorow is conducting an experiment for his new book, With a Little Help. He’ll be releasing the book in myriad ways: from free Creative Commons-licensed digital copies, to a premium special-edition book valued at $10,000, and all sorts of stuff in between. Hence, the term ‘freemium’. This is somewhat similar to what Nine Inch Nails did with their music recently, but in a broader and more openly experimental way. This is all to explore what you can do when you give stuff away for free, but also self-publish and sell stuff via print-on-demand, or offer other freelance services. A big ol’ mixture. Check out his Publishers Weekly Column for even more detail. I’ll be reading his regular updates on the process with interest.

 

Cory Doctorow: experimenting with 'Freemium' for his new book

 ( http://www.flickr.com/photos/redux/ / CC BY-SA 2.0 )
  

Second, PoetrySpeaks is a new website and a new business model, kind of like iTunes for poetry, or Facebook for poets. What’s especially cool about it is that it offers a combination of free and paid material from ‘classic’ or established poets, as well as both curated and user-driven spaces for less well-known poets to get their stuff out there, and even get paid for it. While the site still needs a lot of building up and a broader international diversity, it’s promising to see that the works of both established and emerging artists can stand side by side, giving everyone opportunities to spread their words and ideas and maybe make a little moolah.

 

So whether you write books or poetry, or whatever you create, it’s worth exploring the possibilities of the internet. Sometimes giving stuff away for free online can end up being very rewarding.

 

A Strange Way of Generating Buzz

Had to share this weird video from the Frankfurt Book Fair. It’s one of the biggest meet-ups of the year for publishers, agents and the like, but this is the first video I think I’ve ever seen from it. The Fair itself is not too far from what you’d expect, but I’ve never seen advertising like this before.

Yup, tiny little advertising banners attached to flies. The banners apparently were harmlessly stuck on with natural wax and dropped off after a while. The main effect is a whole lot of double takes and a lot of attention for Eichborn. But I wonder how many people remember the stunt rather than the name though?

Still, it’s a good reminder: there are always unique ways to get your stuff out there that simply can’t be done on the internet. We just get the YouTube’d version of it.

W+E4DM Web Feature Portfolio Part 3 – The Best Stuff On TV This Week

This is part 3 of my Web Feature Portfolio for Writing and Editing for Digital Media. My articles are for ‘the Australian online magazine of culture and the popular arts’, The Enthusiast. My third article is for one of the regular columns in their ‘TV’ category, The Best Stuff On TV This Week.

Celebrity Masterchef – Wednesday, 7:30pm, Ch10

I know, I know, but my pleasures are simple: celebrities attempting gourmet imitations, the comfortable dinnertime-viewing format and Matt Preston’s facial expressions. But if Peter Rowsthorn doesn’t out-chef Fuzzy and Alex Lloyd, there’s little else to keep me watching a semi-final full of C-grade celebrities next week.

Hungry Beast – Wednesday, 9:00pm, ABC

Kind of like curated channel surfing, or someone browsing the internet at random for you (and their website goes hand-in-hand with the show). Learn how the US military’s grim robot future is already upon us, then watch a funny sketch about vegetarianism, then an assortment of sobering factoids, then another funny sketch, and so on. Not every little segment hits the mark, but the next one probably will.

John Safran’s Race Relations – Wednesday, 9:30pm, ABC

Media outrage over this has been surprisingly subdued so far. Maybe this week’s show will get there. He’s stolen and sniffed Eurasian underpants, donned semi-realistic blackface before going speed-dating and wanked over Obama in the spirit of Jewish/Palestinian (Jelestinian) unification. It’s like a Jewish-Australian (Jewstralian?) version of Jackass, but intelligent.

Beauty and the Geek – Thursday, 8:30pm, Ch7

This week sees the geeks getting a makeover, but won’t this undo the entire premise? No! For this is manufactured and unchallenging, but an overall trashy and fun ‘reality’ TV staple.

Q&A – Thursday, 9:35pm, ABC

Last chance before summer! Watch party politicians trying to dodge meaningful questioning, see bold/awkward audience questions and witness principled rants from the one non-politician guest. You can do it, David Marr!

Can We Help? – Friday, 6:30pm, ABC

Pete Rowsthorn is great, and interesting answers to interesting questions are brilliant. Especially when they involve surprising linguistic origins for various words. Or just an explanation of why men have nipples.

Beached Az – Friday, 10:10pm, ABC

You either love it or you hate it. It’s time to pick a side, if you haven’t already. Or, if you will, “puck a side, eh bro”. Of course, you could just watch what ABC has put up on YouTube, but that would defeat the spirit of this column now, wouldn’t it?

Dexter – Saturday, 11:05pm, Ch10

Season Three of Dexter has been a slow build for me, and it was an unsettlingly welcome relief to find Miguel in the ol’ room walled with plastic wrap, ready to face death by Dexter. This season finale will undoubtably find Dexter dealing deftly with the consequences of murdering his best man. There’s definitely some loose ends to tie up before he ties the knot. You know it’s a special show when you’re morbidly drawn to the exploits of such a monster, especially when he’s David from Six Feet Under. Also: among the best opening credits ever.

Newstopia – Sunday, 12:35am, SBS

Shaun Micallef has hit the mainstream after the success of Talkin ‘bout Your Generation, but even on repeat, Newstopia is an underappreciated earlier gem. The Micallef Programme was possibly better and less reliant on then-current affairs, but when it’s Micallef, it’s all gold. Gems. Golden gems.

To tweet or not to tweet?

So it seems like Twitter is well and truly established in the interwebbertubertrons, at least for the time being, and I’ve actually started reading a few people’s feeds on a somewhat regular basis. The only problem is, at the moment I don’t even have an account. Yup, I’m pretty much a Twitter lurker, reading but not really interacting.

I think I will finally join up in a few weeks, after I’ve finished all of my Uni assignments and taken a bit of a holiday. It’s just that until then, I don’t really need another distraction. I know if I have a Twitter feed to check compulsively every 5 minutes, it’ll be like having seven Facebook accounts. Nothing will get done, at least not until I get past the novelty stage and I don’t know when or if that would end. So I’m not opening that Pandora’s Box just yet.

 

(Image:  http://www.flickr.com/photos/carrotcreative/ / CC BY 2.0)

I know it’s the whole Google Reader situation all over again for me. Before getting with the times and being introduced to Google Reader in class, I had a bookmarked list of blogs that I would check several times daily on lazy days and a mental list that I would check occasionally too. Now that I use Google Reader, I can go to one page and see exactly where my distraction lies, nicely summarised to show exactly how many posts  I can read when I choose to (621? Oh, that’s nice). Likewise, if I actually signed up to Twitter, I could just go to one website containing my feed, rather than remembering which separate pages I may want to check at any given time, whether or not they’ve been updated. But still, either way, I think I need to hold off on joining the tweeting hordes for now.

On a side note, it’s interesting how in several recent articles, on both The Age‘s website and various  culture/entertainment websites, Twitter posts are a way of both gathering and communicating a quick cross-section of community opinion. This seems to be applied to any topic, from TV shows to complex political issues, and not just the Iranian elections.

So of course, it’s not all distraction. As with all things online, I check out stuff from people who write entertaining things, who find really interesting articles, share mind-expanding stories or forward amazing videos. Twitter will help me do that too, and share back in return. It’s all part of the conversation. And there will, of course, be a few lolcats and inane posts about how delicious my sandwich was. That’s life. It’s just another part of a diverse multimedia-infused world that is constantly evolving, and involving everything: conversations, phonecalls, letters,  novels, poetry, websites, music videos, video games, a friendly wave and a smile, SMS, comics, and now tweets.

Having said all that, any recent converts, or maybe people who are Twitter Qwitters? Anyone who can convincingly sway me either way? Don’t worry, it’s a few weeks at least before I finally pick sides. And no matter which side you’re on, we’ll always have terrible Twitter puns to unite us. Because in the end, websites like Twitter are what you make of them. They can be fun, useful and edifying, depending on who you connect with, but always remember moderation, and most of all, remember: all that Twitters is not gold. BAM!

Marieke Hardy’s m-Book

We’ve had Facebook and eBooks, now here’s an m-book.

In this case, m-book stands for mobile book, but it could also stand for Marieke’s book. You might know Marieke Hardy as part of the breakfast show trio on Triple J, as writer of columns in The Age’s Green Guide, as Ms Fits on her blog Reasons You Will Hate Me (now on indefinite hiatus), or as the regular on First Tuesday Book Club who’s not Jason Steger or Jennifer Byrne. Among other things, she also writes for television and even wrote a few episodes of Neighbours, but I won’t hold that against her. I think she’s great, and she’s something a book nerd crush for me, much to the chagrin of my girlfriend. A number of other people I know have disagreed vehemently with my glowing opinion of her, so she definitely divides people.

In any case, I’m a fan, so I was definitely curious when I read about her new project. She’s writing a story called Vigilante Virgin for The Age, about a socially inept woman who tries to jumpstart her life by joining up with a bunch of community activists. So, this story is something you sign up for on your phone, hence the m-book. If all goes to plan, you send a text to them and then you get sent a message every morning at 7 AM. Simple, right? But the message you get isn’t the story segment. It’s a link to a website containing the story segment that you can read on your phone if your phone is internet-enabled.

But there’s more. I was curious enough to buy into it, if only for a day and for the sake of an experiment. But apparently if you’re on 3Mobile like me, you can’t view it. I found this out when every time I tried to subscribe, I got an error message. So I gave up.

And yet, when the story launched on the morning of October 12, I somehow received two messages containing the link. For whatever reason, these also would not view on my phone! However, as I soon found out (through the utilisation of l33t $killz) it is entirely possible to just type the link into your computer’s internet browser, unsubscribe on your phone and continue reading on your computer for free. The link remains the same every day, and you can look into the archives for every previous segment.

If it wasn’t already clear enough, there’s no reason for anyone to keep subscribing, other than a sense of loyalty to Marieke or The Age. Or maybe a devotion to Borders, with their ad running at the base of the story every day. One could subscribe on the second last day and, with that link, read the entire archive for a fraction of the amount paid by a loyal subscriber. So basically, The Age is doing it wrong.

Maybe it would be better if the story instalments were simply received as text messages daily. This way, anyone with even the most basic phone could receive the story segments and easily store them to read later. Then it would truly feel like an m-book. Sure, maybe then people would just forward the story to their friends, starving The Age of subscription revenue, or maybe it would work as free publicity, encouraging some friends to take up a subscription of their own. Or maybe by designing a story service with greater interactivity, more people would get interested and involved. Each person could be given an individual log-in as an incentive to participate in the conversation, and maybe have the chance to vote via SMS to influence the progression of the story. An en-masse mobile-phone choose-your-own-adventure story. Now that would be a cool way to really embrace the medium.

As it is, the subscription should be much cheaper. Right now, a full-paying subscriber pays 55c a day for 20 days, plus the sign-up SMS of 25c. So at roughly 350 words a day, you’re paying a total of $11.25 for a 7000-word short story, not a book.

Still, keeping up with a serialised short story is always fun. I’d be almost glad to pay for more things like this in the future, if the price was much more reasonable and if things worked a bit better.

As for the story itself, it’s good so far. Definitely has a touch of Marieke’s distinct sardonic wit and some evocative descriptions. So far, it’s been more about character, mood and humour, rather than a barrelling plot progression. Still, it’s going to interesting places and I’m definitely keen to see where Judy, the sausage-roll-shaped protagonist, is plonked by the story’s end. Maybe I’ll provide a summary of my thoughts once the story has reached its conclusion. George Dunford at Hackpacker is planning to the same, and he’s already shared his thoughts so far, much of which I agree with. Adam Ford blogged a little about it too, but isn’t keen enough to subscribe. He also points out a number of others who have been doing serialised online works before this. Gullybogan, meanwhile, is rather cynical about the whole thing.

Anyway, if you’re interested, The Age put up an edited version of the first week’s instalments. It’s a good representative sample. But I wonder if people who already paid for the first week felt betrayed and then unsubscribed? And maybe the story will come out later in another form. Who knows? It’s up to chapter 15 and only has another 5 weekdays left, I believe. I’ll keep reading for free on my computer (so…then it’s a c-book?) until the end and look with interest for whatever The Age and Marieke are doing next. I wonder if they’ll decide to take this sort of thing any further.

For all its faults, I hold Marieke in no disrepute. This is mostly The Age’s experiment. The story itself is solid, she’s the writer, and her writing and coquettish ways will remain delightfully compelling to me, no matter what my girlfriend or anyone else says, dagnabbit!

W+E4DM Web Feature Portfolio Part 2 – Review: Rooftops by Mandy Ord

This is part 2 of my Web Feature Portfolio for Writing and Editing for Digital Media. My articles are for ‘the Australian online magazine of culture and the popular arts’ The Enthusiast. My second article is a review for their ‘Books’ category.

7/10 Stars (again, no Enthusiast star images or sweded images)

Rooftops is ostensibly about a day when Mandy Ord watched Ghostbusters at the cinema with some friends, then drove home and had chatted with her housemate. Simple. But it manages to be, in a gently odd way, an absorbing and thoughtful story.

This is Mandy Ord’s first book-length comic, which I suppose you’d call a graphic novel, and it was published by Finlay Lloyd. They have a frustratingly creaky-looking website, but their books are often thoughtful and beautifully made essay collections, like When Books Die and Animals. Ord did feature in the latter though, so clearly she’s part of their efforts in new directions.

Despite being more of a graphic novel, it retains Ord’s preoccupation with the little things that stand out amongst the ordinary and mundane. In this way, the story’s subject matter and conversations cover coincidences, the search for meaning, Bill Murray’s career and the literature of mystics and philosophers. Her overactive imagination regularly merges with the everyday and she further illuminates the narrative with thoughts and visions conjured by a mind that loves scaring itself. A demonic imp-like man climbs over a toilet door at her. Images of Ghostbusters ghouls and the Stay Puft Marshmallow Man fill her head, her life and her panels.

From every black page spread, four equal panels of white and black pop out. The panels are filled with Ord’s wobbily handwritten speech bubbles, realistic cityscapes and urban interiors of Melbourne, and distorted but curiously realistic cartoon figures, most notably the one-eyed protagonist herself. These slightly twisted figures reminded me at times of Albert Tucker’s work. Her drawings from movie scenes are also evocative and spot-on, yet still true to her overall technique.

Despite the twisted style and imaginative divergences, it’s essentially a work of realism, possibly memoir. These are musings, moments and memories from an individual perspective. There’s no clear moral lesson, no ‘heroes journey’. This is real life and there’s rarely a big answer or resolution at the end of each day. Her story goes on, continued in her other comics, in bits and pieces. Rooftops itself is not an amazing work, but still a pleasant, leisurely and enjoyable read.

In any case, I’m still a fan and I’ll be keeping an eye out, watching her progress as an artist and storyteller. In fact, after reading Rooftops I noticed her work popping up all over the place: in recent issues of The Lifted Brow; a serialised historical comic/essay with Kate Fielding in Meanjin; in Sleepers’s wonderful Conceived on a Tram; in the Paper Life Boat exhibition during the Fringe Festival; and in myriad comic anthologies, zines and small press endeavours. Clearly prolific, she also sporadically updates her blog with sketches and character portraits – they’ve taken on rather hirsute qualities lately. Amongst all this, I hope she’s still finding time to put effort into another long-form work. Until then, I’d recommend checking out her stuff. Rooftops serves as a great introduction.